Encore von Anderson East

Album

Encore

Anderson East

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Veröffentlicht:
Label: Low Country Sound/Elektra
He comes from Alabama, lives in Nashville and dates (and works with) Miranda Lambert, but Anderson East isn’t what you’d call country, unless country’s now going through its post-Van Morrison phase. Most songs on his fourth album are propelled by organ, occasionally with soul-chorus backup (“If You Keep Leaving Me,” “Somebody Pick Up My Pieces”) or sax solos (“House is a Building.”) The striving for deep meaning turns raunchier halfway through, slavering over your significant other atop Ides of March/early Chicago/Lighthouse horns and chords in “Girlfriend” then growling like mid-career John Hiatt in “Surrender” and adult alternative smash “All On My Mind.” By “Cabinet Door” at album’s end, lyrics finally get specific – conjuring a lonely widower who’d raised seven kids in 52 years.

Über dieses Album

He comes from Alabama, lives in Nashville and dates (and works with) Miranda Lambert, but Anderson East isn’t what you’d call country, unless country’s now going through its post-Van Morrison phase. Most songs on his fourth album are propelled by organ, occasionally with soul-chorus backup (“If You Keep Leaving Me,” “Somebody Pick Up My Pieces”) or sax solos (“House is a Building.”) The striving for deep meaning turns raunchier halfway through, slavering over your significant other atop Ides of March/early Chicago/Lighthouse horns and chords in “Girlfriend” then growling like mid-career John Hiatt in “Surrender” and adult alternative smash “All On My Mind.” By “Cabinet Door” at album’s end, lyrics finally get specific – conjuring a lonely widower who’d raised seven kids in 52 years.

Titel

Über dieses Album

He comes from Alabama, lives in Nashville and dates (and works with) Miranda Lambert, but Anderson East isn’t what you’d call country, unless country’s now going through its post-Van Morrison phase. Most songs on his fourth album are propelled by organ, occasionally with soul-chorus backup (“If You Keep Leaving Me,” “Somebody Pick Up My Pieces”) or sax solos (“House is a Building.”) The striving for deep meaning turns raunchier halfway through, slavering over your significant other atop Ides of March/early Chicago/Lighthouse horns and chords in “Girlfriend” then growling like mid-career John Hiatt in “Surrender” and adult alternative smash “All On My Mind.” By “Cabinet Door” at album’s end, lyrics finally get specific – conjuring a lonely widower who’d raised seven kids in 52 years.
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