Broke With Expensive Taste von Azealia Banks

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Label: Prospect Park
Azealia Banks synthesizes sounds with panache. Hearing this "Harlem girl from the block" riff over salsa-fied post-punk ("Gimme a Chance"), techno ("Soda") UK garage ("Desperado") and house ("Luxury") is a fantastic thing. She can be a lazy party rocker, though, when she settles into a muttered growl that turns her lines into run-on sentences. When she breaks out of her torpor and explores different vocal techniques on "Miss Amor," it drives her performance to new heights. The 2011 single "212" remains a wonder, and it's a shame that her former Interscope bosses didn't know how to exploit it.

Über dieses Album

Azealia Banks synthesizes sounds with panache. Hearing this "Harlem girl from the block" riff over salsa-fied post-punk ("Gimme a Chance"), techno ("Soda") UK garage ("Desperado") and house ("Luxury") is a fantastic thing. She can be a lazy party rocker, though, when she settles into a muttered growl that turns her lines into run-on sentences. When she breaks out of her torpor and explores different vocal techniques on "Miss Amor," it drives her performance to new heights. The 2011 single "212" remains a wonder, and it's a shame that her former Interscope bosses didn't know how to exploit it.

Titel

Über dieses Album

Azealia Banks synthesizes sounds with panache. Hearing this "Harlem girl from the block" riff over salsa-fied post-punk ("Gimme a Chance"), techno ("Soda") UK garage ("Desperado") and house ("Luxury") is a fantastic thing. She can be a lazy party rocker, though, when she settles into a muttered growl that turns her lines into run-on sentences. When she breaks out of her torpor and explores different vocal techniques on "Miss Amor," it drives her performance to new heights. The 2011 single "212" remains a wonder, and it's a shame that her former Interscope bosses didn't know how to exploit it.
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